Ramanathaswamy Temple

Ramanathaswamy Temple is a Hindu temple dedicated to god Shiva located on Rameswaram island in the state of Tamil Nadu, India. It is one of the 275 Paadal Petra Sthalams, where the three of the most revered Nayanars (Saivite saints), Appar, Sundarar andTirugnana Sambandar, have glorified the temple with their songs. The temple was expanded during the 12th century by Pandya Dynasty, and its principle shrines were renovated by Jeyaveera Cinkaiariyan and his successor Gunaveera Cinkaiariyan of the Jaffna kingdom. The temple has the longest corridor among all Hindu temples in India.^[1] The temple is located in Rameswaram, an island town in South India, considered a holy pilgrimage site for Shaivites, Vaishnavites and Smarthas. The temple is also one of the twelveJyothirlinga temples, where Shiva is worshipped in the form of a Jyotirlingam (English: pillar of light).

According to the Ramayana, Rama, the seventh incarnation of god Vishnu, is believed to have prayed to Shiva here to absolve any sins that he might have committed during his war against the demon king Ravana in Sri Lanka.^[2] Rama wanted to have the largestlingam to worship Shiva. He directed Hanuman, the monkey lieutenant in his army, to bring the lingam from Himalayas. Since it took longer to bring the lingam, Sita, the wife of Rama, built a small lingam, which is believed to be the lingam in the sanctum.

The Temple

Image of the east and west temple towers

The primary deity of the temple is Ramanathaswamy (Shiva) in the form of lingam.There are two lingams inside the sanctum - one built by Goddess Sita, from sand, residing as the main deity, Ramalingam and the one brought by Lord Hanuman from Kailash called Vishwalingam.Rama instructed that Vishwalingam should be worshipped first since it was brought by Lord Hanuman - the tradition continue even today.

Like all ancient temples in South India, there is a high compound wall (madil) on all four sides of the temple premises measuring about 865 feet furlong from east to west and one furlongs of 657 feet from north to south with huge towers (Gopurams) at the east and west and finished gate towers on the north and south. The temple has striking long corridors in its interior, running between huge colonnades on platforms above five feet high.

The second corridor is formed by sandstone pillars, beams and ceiling. The junction of the third corridor on the west and the paved way leading from the western gopuram to Setumadhava shrine forms a unique structure in the form of chess board and it is popularly known as Chokkattan Madapam where the Utsva deities are adorned and kept during the Vasanthotsavam (Spring festival) and on the 6th day festival in Adi (July–August) and Masi (February–March) conducted by the Setupati of Ramnad.

The outer set of corridors is reputed to be the longest in the world being about 6.9 m height, 400 feet in each in the east and west and about 640 feet in north and south and inner corridors are about 224 feet in east and west and about 352 feet each in north and south. Their width varies from 15.5 feet to 17 feet in the east and west about 172 feet on the north and south with width varying 14.5 feet to 17 feet.The total length of those corridors is thus 3850 feet. There are about 1212 pillars in the outer corridor. Their height is about 30 feet from the floor to the center of the roof. The main tower or rajagopuram is 53 m tall. Most pillars are carved with individual composition.

Shrines in the temple complex and around Rameswaram

There are separate shrines for God Ramanathaswami and Goddess Visalakshi separated by corridor.There are separate shrines for goddess visalakshi,parvathavardhini,utsava idol,sayanagriha,perumal,mohaganpathi . There are various halls inside the temple, namely Anuppu Mandapam, Sukravara Mandapam, Sethupathi Mandapam, Kalyana Mandapam and Nandi Mandapam.Jyothirlingas

Temple Tanks

There are sixty-four Tīrthas (holy water bodies) in and around the island of Rameswaram, Tamil Nadu, India. According to Skānda Purāṇa, twenty-four of them are important. Bathing in these Tīrthas is a major aspect of the pilgrimage to Rameswaram and is considered equivalent to penance. Twenty-two of the Tīrthas are within the Rāmanāthasvāmī Temple.The number 22 indicates the 22 arrows in Rama's quiver. The first and major one is called Agni Theertham, the sea (Bay of Bengal).

Significance Today

Char Dham

Adi Sankara, the Guru of Advaita, who is believed to have started the Char Dhams

The temple is one of the holiest Hindu Char Dham (four divine sites) sites comprising Badrinath, Puri and Dwarka.Though the origins are not clearly known, the Advaita school of Hinduism established by Sankaracharya, who created Hindu monastic institutions across India, attributes the origin of Char Dham to the seer.The four monasteries lie across the four corners of India and their attendant temples are Badrinath Temple at Badrinath in the North,Jagannath Temple at Puri in the East, Dwarakadheesh Temple at Dwarka in the West and Ramanathaswamy Temple at Rameswaram in the South. Though ideologically the temples are divided between the sects of Hinduism, namely Saivism and Vaishnavism, the Char Dham pilgrimage is an all Hindu affair.There are four abodes in Himalayas called Chota Char Dham (Chota meaning small): Badrinath, Kedarnath, Gangotri and Yamunotri - all of these lie at the foot hills of Himalayas. The name Chota was added during the mid of 20th century to differentiate the original Char Dhams.The journey across the four cardinal points in India is considered sacred by Hindus who aspire to visit these temples once in their lifetime. Traditionally the trip starts at the eastern end from Puri, proceeding in clockwise direction in a manner typically followed for circuambulation in Hindu temples.

Jyotirlinga

As per Shiv Mahapuran, once Brahma (the Hindu God of creation) and Vishnu (the Hindu God of saving) had an argument in terms of supremacy of creation. To test them, Shiva pierced the three worlds as a huge endless pillar of light, the jyotirlinga. Vishnu and Brahma split their ways to downwards and upwards respectively to find the end of the light in either directions. Brahma lied that he found out the end, while Vishnu conceded his defeat. Shiva appeared as a second pillar of light and cursed Brahma that he would have no place in ceremonies while Vishnu would be worshipped till the end of eternity. The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. The jyothirlinga shrines, thus are places where Shiva appeared as a fiery column of light. Originally there were believed to be 64 jyothirlingas while 12 of them are considered to be very auspicious and holy. Each of the twelve jyothirlinga sites take the name of the presiding deity - each considered different manifestation of Shiva. At all these sites, the primary image is lingam representing the beginningless and endless Stambha pillar, symbolizing the infinite nature of Shiva.The twelvejyothirlinga are Somnath in Gujarat, Mallikarjuna at Srisailam in Andra Pradesh, Mahakaleswar at Ujjain in Madhya Pradesh, Omkareshwar in Madhya Pradesh, Kedarnath inHimalayas, Bhimashankar in Maharastra, Viswanath at Varanasi in Uttar Pradesh, Triambakeshwar in Maharastra, Vaidyanath at Deoghar in Jharkand, Nageswar at Dwarka inGujarat, Rameshwar at Rameswaram in Tamil Nadu and Grishneshwar at Aurangabad, Maharashtra.

Historical pilgrimage

The temple is one of the famous pilgrimage sites and there are historical references about it. The Maratha kings who ruled Thanjavur established chatrams or rest houses all through Mayiladuthurai and Rameswaram between 1745 and 1837 CE and donated it to the temple.

Tirumala Venkateswara Temple

Tirumala Venkateswara Temple

Tirumala Venkateswara Temple is a famous Vedic temple in the hill town of Tirumala, near Tirupati in Chittoor district of Andhra Pradesh. It is around 600 km (370 mi) from Hyderabad, 138 km (86 mi) from Chennai and 291 km (181 mi) from Bangalore.

  

The Tirumala Hill is 853m above sea level and is about 10.33 square miles (27 km²) in area. It comprises seven peaks, representing the seven heads of Adisesha, thus earning the name Seshachalam. The seven peaks are called Seshadri, Neeladri, Garudadri, Anjanadri, Vrushabhadri, Narayanadri and Venkatadri. The temple is on Venkatadri (also known as Venkatachala or Venkata Hill), the seventh peak, and is also known as the "Temple of Seven Hills". The presiding deity of the temple is Lord Venkateswara, an incarnation of lord Vishnu. Venkateswara is known by other names: Balaji, Govinda, and Srinivasa. The temple lies on the southern banks of Sri Swami Pushkarini, a holy water tank. The temple complex comprises a traditional temple building, with a number of modern queue and pilgrim lodging sites.

The temple is the richest pilgrimage centre, after the Sree Padmanabhaswamy Temple in Thiruvananthapuram, Kerala, of any faith (at more than  500 billion) and the most-visited place of worship in the world. The temple is visited by about 50,000 to 100,000 pilgrims daily (30 to 40 million people annually on average), while on special occasions and festivals, like the annual Brahmotsavam, the number of pilgrims shoots up to 500,000, making it the most-visited holy place in the world

Vimanam

The vimanam is a monumental tower with a golden roof. Its inner temple or vimanam houses the main deity, Lord Sri Venkateswara. The deity stands directly beneath a gilt dome called the Ananda Nilaya Divya Vimana. This exquisitely wrought deity, called theMulaberam, is believed to be self-manifested, and no human being is known to have installed it in the shrine. The Lord wears a gold crown with a large emerald embedded in the front. On special occasions, he is adorned with a diamond crown. The Lord has a thick double tilaka drawn on his forehead, which screens his eyes. His ears are decorated with golden earrings. The right hand resting on his lap. His left hand is akimbo. His body is dressed with yellow clothing tied with gold string and a gold belt with gold bells. He has ayajnopavita (sacred thread) flowing down crosswise from his left shoulder. He bears Lakshmi Devi on his right chest and Padmavathi Devi on his left chest. His feet are covered with gold frames and decked with gold anklets. A curved gold belt encompasses his legs. The Ananda Nilaya Divya Vimana was covered with gilt copper plates and surmounted with a golden vase in the 13th century, during the reign of the Vijayanagara king Yadava Raya.The ancient and sacred temple of Sri Venkateswara is located on the seventh peak, Venkatachala (Venkata Hill) of the Tirupati Hill, and lies on the southern banks of Sri Swami Pushkarini.

It is by the Lord's presidency over Venkatachala, that He has received the appellation, Venkateswara (Lord of the Venkata Hill). He is also called the Lord of the Seven Hills.

The temple of Sri Venkateswara has acquired unique sanctity in Indian religious lore. The Sastras, Puranas, Sthala Mahatyams and Alwar hymns unequivocally declare that, in the Kali Yuga, one can attain mukti, only by worshipping Venkata Nayaka or Sri Venkateswara.

The benefits acquired by a pilgrimage to Venkatachala are mentioned in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara is described as the great bestower of boons. There are several legends associated with the manifestation of the Lord at Tirumala.

The temple has its origins in Vaishnavism, an ancient sect which advocates the principles of equality and love, and prohibits animal sacrifice.

The sanctum sanctorum which houses the awe-inspiring idol of the Lord of the Seven Hills is situated in the main temple complex of Tirumala.

Temple activities

Prasadam

The world famous Tirupati Laddu is given at Tirumala Temple as prasadam.^[28] Recently, the Trust has taken Geographical Indication of Laddu prasadam, hence, no one can prepare the same Laddu. Many other prasadams are also available including daddojanam (curd rice), pulioharey (tamarind rice), vada and chakkera-pongali (sweet pongal), miryala-pongali, Appam, Paayasam, Jilebi, Muruku, Dosa, seera (kesari). Free meals are given daily to the pilgrims. On Thursdays, the Tirupavadai seva is conducted, where food items are kept as naivedyam to Lord Srinivasa.

Hair tonsuring

Devotees shaving their heads at Tirumala Venkateswara Temple

Many devotees have their head tonsured as "Mokku", an offering to God. The daily amount of hair collected is over a ton.^[29] The hair thus gathered is sold by the temple organisation a few times a year by public auction to international buyers for use as hair extensions and in cosmetics,^[30] bringing over $6 million to the temple's treasury.^[31] This is the second highest income generating activity in the temple next to the Hundi Collection.

When Lord Balaji was hit on his head by a shepherd, a small portion of his scalp became bald. This was noticed by Neela Devi, aGandharva princess. She felt "such an attractive face should not have a flaw". Immediately, she cut a portion of her hair and, with her magical power, implanted it on his scalp. Lord Balaji noticed her sacrifice. As hair is a beautiful asset of the female form, he promised her that all his devotees who come to his abode would offer their hair to him, and she would be the recipient of all the hair received. Hence, it is believed that hair offered by the devotees is accepted by Neela Devi. The hill, Neeladri, one of the seven hills, is named after her.

Hundi (donation pot)

It is believed that Srinivasa had to make arrangements for his wedding. Lord Kubera credited money to the god Venkateswara (a form of the god Vishnu) for his marriage with Padmavati. Srinivasa sought a loan of one crore and 11.4 million (11,400,000) coins of gold from Kubera and had Viswakarma, the divine architect, create heavenly surroundings in the Seshadri hills. Together, Srinivasa and Padmavathy lived for all eternity while Goddess Lakshmi, understanding the commitments of Lord Vishnu, chose to live in his heart forever.In remembrance of this, devotees go to Tirupati to donate money in Venkateswara's hundi (donation pot) so that he can pay it back to Kubera. The hundi collections go as high as 22.5 million INR a day.^[8] Devotees offer gold as a token of their love for God. Temple sources said that in April 2010 the temple deposited 3,000 kg of gold with SBI as gold offerings in the temple hundi by devotees, which had accumulated for the last several years.

Thulabharam

One of the most important offering in this temple, is the 'thulabharam.' In the Thulabaram ritual, a devotee sits on a pan of a weighing balance and the other pan is filled with materials greater than the weight of the devotee. Devotees usually offer sugar, jaggery, tulsi leaves, banana, gold, coins. This is mostly performed with newborn babies or children.

Arjitha seva (paid services)

Pilgrims can view and participate (in a limited fashion) in the various sevas performed to Dhruva bera (main idol), Bhoga Srinivasa, Sri Malayappa swami and other idols in the temple.

When pilgrims purchase arjitha seva tickets, they get the opportunity to see a seva performed to the Lord, obtain prasadam in the form of vastram (clothes), akshantalu (sacred and blessed rice) and food articles (laddus, vadas, dosas, pongal, rice items) and a darshan of the utsava murti.

Thanjavur Temple Special (Brihadeeswarar Temple)

Introduction: Templenet focuses this week on the glorious temples attributed to the reign of Raja Raja Chola and his successors in the Thanjavur Cauvery belt of South India.

Historically speaking, these temples are not as ancient as the 274 odd Saivite temples and the 108 Vaishnavite Shrines sung by the Nayanmars and Alwars of the 7th through the 9th centuries, however they stand out as towering monuments proclaiming the glory of the Chola regime and its committment to the arts and culture.

This issue zeroes in on the Brihadeeswarar Temple in Thanjavur, Gangaikonda Choleeswarar Temple in Gangai Konda Cholapuram, the Airavateeswarar Temple in Darasuram and the Kambahareswarar temple at Tribhuvanam.Thanjavur: The districts of Thanjavur, Kumbhakonam and Nagappattinam (constituting the erstwhile Thanjauvr district) boast of hundreds of ancient temples. The town of Thanjavur was the seat of the glorious Chola Empire of Tamilnadu, and was later on the seat of the Nayaks and the Marathas. True to art historian Fergusson, the Chola artists conceived like giants and finished like jewellers.

Chola History: Raja Raja Chola I, was clearly the greatest of the Chola Monarchs. During his reign (985 - 1014 AD) he brought stability to the Chola Kingdom, and restored from obscurity the brilliant Tevaram hymns of the Saivite Nayanmars from obscurity. Raja Raja was a great builder, and the Peruvudaiyar Koyil or the Big Tmeple at Thanjavur was his creation. His son Rajendra Chola (1014 - 1044 AD) was a greater conqueror who marched all the way to the banks of the Ganges. This march was commemorated with a new capital Gangaikonda Cholapuram and another 'Periya Koyil'. Gangai Konda Cholapuram was the capital of the Cholas for about two centuries, although it is nothing more than a village now with this rather well maintained magnificient temple. 35 Kilometers from Thanjavur lies Darasuram, once known as Rajarajapuram - a part of the Chola's secondary capital of Pazhaiyarai. Here is the Airavateeswarar Temple built by Raja Raja II (1146 - 1173). It was during the reign of Kulottunga III (1178 - 1218) that the Kambahareswarar temple at Tribhuvanam was built.

These four temples under discussion stand out from the others in Tamilnadu in that, it is only in these that the Vimanam towers over the entrance Gopurams. After these four temples, the Cholas went back to their traditional style of building temples with larger Gopurams and smaller central Vimanams. These temples are fitting memorials to the glory of the rulers that built them, as well as monuments of piety and a committment to art and architecture.
Brihadeeswarar Temple at Thanjavur: A 107 paragraph long inscription on the walls of the Vimanam records the contributions of Raja Raja Chola and his sister Kundavai to the Thanjavur temple. The temple stands within a fort, whose walls are later additions built in the 16th century. The towering vimanam is about 200 feet in height and is referred to as Dakshina Meru. The octogonal Shikharam rests on a single block of granite weighing 81 tons. It is believed that this block was carried up a specially built ramp built from a site 6 kilometeres away from here. Huge Nandis dot the corners of the Shikharam, and the Kalasam on top by itself is about 3.8 meteres in height. Hundreds of stucco figures bejewel the Vimanam, although it is possible that some of these may have been added on during the Maratha period. The Shivalingam - Peruvudaiyar, Rajarajeswaramudaiyar - is a huge one, set in a two storeyed sanctum, and the walls surrounding the sanctum delight visitors as a storehouse of murals and sculpture.

The long prakaram surrounds the great temple (500 feet/250 feet), and the walls surrounding the prakaram again go back to Raja Raja Cholan's period. The walls house long pillared corridors, which abound in murals, Shiva Lingams and Nandis. The Periya Nayaki temple within the temple is a later addition from the Pandya period, and so is the Subramanyar Temple sung later by the Saint poet Arunagirinathar.

Incidents from the lives of the Nayanmars, several of the 108 Bharata Natyam Dance postures, manifestations of Shiva (Aadalvallaan - Nataraja, Tripurantaka, Dakshinamurthi etc.) are depicted in sculptured panels or in exquisite Chola murals. Both the interior, and the exterior walls of the temple, are replete with images of the kind described above.

The sanctum, the ardhamandapam, the mukhamandapam and the Mahamandapam, although distinct, form a composite unit with an imposing appearance that awes visitors, forcing one to wonder how such timeless architectural feat was executed about a 1000 years ago. Entrances to the Mandapams and the towered entrances to the Prakarams are majestic. The grandeur of the architecture and the sculptural finesse speaks volumes of the skills of the Imperial Cholas.

Inscriptions refer to Shiva as Dakshina Meru Vitankar and Aadavallan. The Nandi, which dates back to the Nayak period, is housed in its own mandapam and it matches up to the grandeur and size of the temple. It is a monolithic Nandi weighing about 25 tonnes, and is about 12 feet high and 20 feet long.

South Indian Temples Special

Welcome to South Indian Special - Temples Category:-

India’s contribution to the spiritual sphere of modern world is unique. From Vedic aga,all that is pure and sublime in Nature’s creation have been objects of worship for the indian. Our history of ancient tradition and culture is interwoven in temple worship and pilgrimage. The lofty Himalayas, the sacred Ganga, the holy Cauvery, the crystal-like Tungabhadra have all been his cherished pilgrim spots.
In South India, temple worship has been a glorious tradition. Over the years, there have been many schools of temple-building – the Dravidian, Chalukya, Chola, Pallava, Pandya and the Hoysala. The art made its transition from temporary structures of wood and mortar to more enduring edifices. The temples were constructed according to Agama and Shilpa shastras. These temples were the seat of learning and hub of social and cultural activities.

In this, the Pallava rulers of the 7th century were said to be the pioneers. In Tamil Nadu, the temples of Kanchipuram, the shrines of Cholas in Thanjavur district (9th to 13th centuries) and those of Nayaks of Madurai are living monuments to their accomplishments. Today, in the state of Tamil Nadu alone, there are more than 10,000 temples. Of these, 1,800 are in Thanjavur district alone.
Karnataka’s tryst with temple art dates back to the 5th century AD. Aihole, Badami and Pattadakkal are the earliest works of the Chalukyas. Hampi, the capital of the Vijayanagar dynasty, is acclaimed for its brilliant temple designs. The state, as a whole, has a great tradition of holy places, palaces and pageantry.
Andhra Pradesh, endowed with a rich Coromandel Coast, had a mixed culture of the Cholas, Chalukyas and Gangas. The state has some of the earliest relics of temple architecture of the Buddhists and Jains. There is a discernible influence of Oriyan art as well. The temples of Sri Kalahasti, Srisailam, Simhachalam, Amaravati etc are some of the oldest works of the divine art.

Kerala is a land of rituals and festivals. According to legend, it was created by the blow of sage Parasurama’s axe. The history of temples in this state dates back to the 9th century. Among the main dynasties who ruled here were the Cheras, Mushikas and the Venad Kings. Thanks to the dense forests here, the temple structures are primarily of wood. These temples display the pristine purity of the ancient tradition even to this day.
With the advent of adi Sankara, Ramanuja, Madhwacharya, the Nayanmars and Always, the Bhakti cult got a major boost. They spread their divine message by traversing through the numerous shrines singing in praise of the Almighty. Saivism and Vaishnavism florished to great heights. No wonder then that today we have the sacred legacy of 108 Tirupatis, Navagraha Sthalas, the Arupadai Veedus, Ashta Veerattanams etc. ever sought after by pilgrims.

This pilgrim-friendly guide focusses on the many important holy shrines that dot these southern states, providing in a nutshell the significance of each of these places and the interesting legends associated with them. In order to minimise the travel hardships of the pilgrims, a sincere attempt has been made to arrange places according to their proximity to important towns and cities.